{"id":1035,"date":"2024-09-22T04:29:00","date_gmt":"2024-09-21T20:29:00","guid":{"rendered":"https:\/\/www.kafeizha.com\/?p=1035"},"modified":"2024-09-22T04:29:00","modified_gmt":"2024-09-21T20:29:00","slug":"%e4%b8%80%e9%a6%96%e9%9c%87%e6%92%bc%e7%9a%84%e4%b9%a1%e6%9d%91%e6%ad%8c%e6%9b%b2%e5%9c%a8tiktok%e4%b8%8a%e5%a4%a7%e7%83%ad%ef%bc%8cgirly-girl%e6%98%af%e4%b8%8d%e6%98%af%e7%9c%9f","status":"publish","type":"post","link":"https:\/\/news.tomjun.com\/?p=1035","title":{"rendered":"\u4e00\u9996\u9707\u64bc\u7684\u4e61\u6751\u6b4c\u66f2\u5728TikTok\u4e0a\u5927\u70ed\uff0c\u201cGirly Girl\u201d\u662f\u4e0d\u662f\u771f\u7684\u706b\u4e86\uff1f"},"content":{"rendered":"<p><b>\u65b0\u95fb\u6765\u6e90\uff1a<\/b>www.nytimes.com<br \/> <b>\u539f\u6587\u5730\u5740\uff1a<\/b><font size=\"-1\"><a href=\"https:\/\/www.nytimes.com\/2024\/09\/14\/arts\/music\/girly-girl-10-drunk-cigarettes-tiktok.html target=\"_blank\">A Shocking Country Song Is Dominating TikTok. Is Girly Girl for Real?<\/a><\/font><br \/> <b>\u65b0\u95fb\u65e5\u671f\uff1a<\/b>2024-09-14<\/p>\n<p> tiktok\u6700\u65b0\u7684\u70ed\u95e8\u6b4c\u66f2\u662f\u4e00\u9996\u4e61\u6751\u4e50\uff0c\u4f46\u8fd9\u5e76\u4e0d\u662f\u4f20\u7edf\u610f\u4e49\u4e0a\u7684\u90a3\u79cd\u3002TikTok\u4e0a\u4eba\u4eec\u5bf9\u6b64chorus\u53cd\u5e94\u70ed\u70c8\uff1a\u201c\u6211\u4eec\u5973\u5b69\u9700\u898110\u4ef6\u4e8b\uff0c\u7136\u540e\u624d\u80fd\u4e0d\u8981\u7537\u4eba\/\u4e00\u6839\u65b0\u70df\/\u4e24\u6761\u53ef\u4e50\/cocaine\/\u9152\u5427\u7684\u514d\u8d39\u996e\u6599\/\u56db\u6761\u66f4\u591a\u7684cocaine\u201d\u7b49\uff0c\u4ee4\u4eba\u60ca\u559c\u4e0d\u5df2\u3002 <\/p>\n<hr>\n<p> <b>\u539f\u6587\u6458\u8981\uff1a<\/b><\/p>\n<p> TikTok\u2019s latest musical obsession is a country song. But not the kind that first comes to mind.Miles removed from the weather-beaten earnestness of Zach Bryan, or Bailey Zimmerman\u2019s heart-on-sleeve crooning, the viral \u201c10 Drunk Cigarettes\u201d is plasticky, poppy, alien and seemingly A.I.-assisted. Its lyrics advocate for a carefree, resolutely American way of life, although they replace Nashville standards like beers and Bibles with cigarettes and copious amounts of cocaine, and find humor (and plenty of shock value) in their clash of saccharine femininity and unbridled nihilism. The result is like the cult comedy \u201cStrangers With Candy\u201d or the early web series \u201cThe Most Popular Girls in School\u201d for the short-form video generation.\u201c10 Drunk Cigarettes\u201d is by Girly Girl Productions: a mysterious trio supposedly based in St. Louis that seem to have a preternatural ability to turn ironic, startlingly contemporary internet humor into music. Most Girly Girl songs follow a brutally effective structure: an intro verse about how empowered women are, followed by a chorus about using that power to do something horrifyingly self-destructive, in a tone that vaguely echoes the \u201cGod forbid women have hobbies\u201d meme.Not every Girly Girl song is indebted to country, but its most ingratiating ones, like \u201cNotes App Girls!\u201d and \u201cCoked Up Friend Adventure!\u201d feel rooted in the genre. \u201c10 Drunk Cigarettes,\u201d which has gained the most traction on TikTok and streaming, combines the smiley feminized empowerment of RaeLynn\u2019s \u201cBra Off\u201d \u2014 which likens a breakup to \u201ctakin\u2019 my bra off\u201d \u2014 with the boozy escapism of Chase Rice and Florida Georgia Line\u2019s \u201cDrinkin\u2019 Beer. Talkin\u2019 God. Amen.\u201d\u201c10 Drunk Cigarettes\u201d is not dissimilar from that collaboration in structure and arrangement. It\u2019s built around a rhythmic acoustic guitar line and surges to an anthemic chorus structured as a list. But it\u2019s not the kind of song that will be getting played on country radio anytime soon. TikTok is filled with videos of people reacting, mouths agape, to its chorus: \u201cI can name 10 things us girls need before we ever need a man\/One new vape\/Two lines of coke\/Free drinks from the bar\/Four more lines of coke\u201d \u2014 and so on.The very first line of \u201cDemure,\u201d Girly Girl\u2019s debut album, makes a statement: \u201cHaters mad \u2019cause my music is A.I.\/Wish I cared, but I\u2019m way too high.\u201d While many vocals on the album are wobbly and lo-fi in a way that recalls the fake songs by Drake and the Weeknd that proliferated last year, it\u2019s unclear how much of Girly Girl\u2019s songs are A.I.-generated; it\u2019s unlikely that tracks like these could be made without a high level of human involvement. (The company did not respond to a request for comment.)Girly Girl\u2019s songs tap into a vein of humor that\u2019s firmly of-the-moment. Their glib jokes about vaping, drinking, drug taking and trauma \u2014 and, specifically, how those things relate to, or form an essential part of, \u201cgirlhood\u201d \u2014 are the kinds of jokes going viral on X, formerly Twitter, every day. \u201cDemure\u201d was released last month, and even its title (which refers to a TikTok trend about being \u201cvery demure, very mindful\u201d that blew up and faded away within the last few weeks) points to a desire for immediate relevance at the expense of longevity.It\u2019s a kind of humor that\u2019s endemic online, yet rarely spreads into spaces beyond X \u2014 but this year has proved an exception. Over the past few months, Charli XCX\u2019s \u201cBrat\u201d and its associated \u201cBrat summer\u201d aesthetic brought images of emotional messiness and unbridled hedonism to the forefront of culture. Girly Girl\u2019s songs wouldn\u2019t land without the context of \u201cgirlhood memes,\u201d which associate being a girl with both twee brightness (Barbies, sparkles, dancing) and abject darkness (trauma, depression, violent outbursts).Girly Girl\u2019s music captures this with blunt, accessible language, but it\u2019s a mode that other, more niche musicians have explored in recent years, too. The streaming curio Naomi Elizabeth \u2014 whose unnerving outsider pop has found a small but passionate audience on Spotify and Reddit \u2014 sings about traditional femininity, God and brazen sexuality on tracks like \u201cGod Sent Me Here to Rock You\u201d and \u201cI\u2019m Your Angel\u201d; last year, the synth-pop singer Neoliberalhell released a stomach-churning bubble gum track titled \u201cLolita Express,\u201d which grafts \u201900s pop-style clothing worship onto lyrics about Jeffrey Epstein\u2019s private island, taking ironic girlhood\u2019s uneasy fusion of brightness and chaos to its disconcerting endpoint.Part of why Girly Girl\u2019s music is more effective is because it is finely tuned on both musical and cultural levels, aggregating darkly toned internet humor into a package that clearly resonates with (or, at least, has the capacity to reach) a gigantic audience.Its leaning on country music is savvy, too. TikTok has fewer roadblocks and rules than Nashville \u2014 a fact Lil Nas X exploited with \u201cOld Town Road,\u201d which blew up on the platform in 2019. Cracks in the fortress have since allowed artists like Zimmerman, Priscilla Block, Megan Moroney and Lainey Wilson entry into the genre\u2019s center, and Beyonc\u00e9 and Post Malone have made their mark, too. But TikTok stands out as a breeding ground for experimentation \u2014 and potential disruption.<\/p>\n<div style=\"margin: 20px 0;\"><div class=\"qrcswholewtapper\" style=\"text-align:left;\"><div class=\"qrcprowrapper\"  id=\"qrcwraa2leds\"><div class=\"qrc_canvass\" id=\"qrc_cuttenpages_2\" style=\"display:inline-block\" data-text=\"https:\/\/news.tomjun.com\/?p=1035\"><\/div><div><a download=\"\u4e00\u9996\u9707\u64bc\u7684\u4e61\u6751\u6b4c\u66f2\u5728TikTok\u4e0a\u5927\u70ed\uff0c\u201cGirly Girl\u201d\u662f\u4e0d\u662f\u771f\u7684\u706b\u4e86\uff1f.png\" class=\"qrcdownloads\" id=\"worign\">\r\n           <button type=\"button\" style=\"min-width:200px;background:#44d813;color:#000;font-weight: 600;border: 1px solid #44d813;border-radius:20px;font-size:12px;padding: 6px 0;\" class=\"uqr_code_btn\">\u6587\u7ae0\u4e8c\u7ef4\u7801<\/button>\r\n           <\/a><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>\u65b0\u95fb\u6765\u6e90\uff1awww.nytimes.com \u539f\u6587\u5730\u5740\uff1a<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[205],"tags":[1772,728,1771,1048,1773],"class_list":["post-1035","post","type-post","status-publish","format-standard","hentry","category-205","tag-chorus","tag-tiktok","tag-1771","tag-1048","tag-1773"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/news.tomjun.com\/index.php?rest_route=\/wp\/v2\/posts\/1035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/news.tomjun.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/news.tomjun.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/news.tomjun.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/news.tomjun.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1035"}],"version-history":[{"count":1,"href":"https:\/\/news.tomjun.com\/index.php?rest_route=\/wp\/v2\/posts\/1035\/revisions"}],"predecessor-version":[{"id":1036,"href":"https:\/\/news.tomjun.com\/index.php?rest_route=\/wp\/v2\/posts\/1035\/revisions\/1036"}],"wp:attachment":[{"href":"https:\/\/news.tomjun.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/news.tomjun.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/news.tomjun.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}